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HAFT (SEVEN)

The "heptad" & its cultural significance in Iranian history


By: Prof. A. Shapur Shahbazi

 The number has been explained as the symbolic expression of a distinct culture and "the direct evidence" for its character (Leo Frobenius, apud Kirfel, p. 237). Among the Indo-European people, the number three seems to have been the most ancient of the sanctified numbers (Usener, Dume‚zil), followed by nine (Schroder and Nahring, II, pp. 678-79; Keith, pp. 409-13). For the Aryans of India and Iran, three, five, and seven had primary connotations (Keith, pp. 407-9), and the numbers specifically enshrined among the "Aves-tan people" (q.v.) are all combinations of those figures, e.g., three categories of Avestan texts, each divided into seven chapters (nask, see AVESTA); the liturgy of "Worship of the seven creations" (Yasnâ haptaŋhâiti); twenty-one (3 x 7) Yašts; seven Aməša Spəntas (q.v.); and the seven divisions of the earth (see HAFT KEŠVAR; on the concept of the odd numbers as lucky, see Scheftelowitz, pp. 88-90). The number seven seems to have been considered as a totality (on the forms of this number in various Iranian languages see Bailey, Dictionary, pp. 498-99). Even the renovation of the world will be brought about by seven lords, the Zoroastrian Savior, Astvat.ərəta (q.v.), who shall rise in the central region, and his six companions who represent the other six regions (Boyce, Zoroastrianism I, p. 284).

The number seven has been revered by various nations as a mystic device denoting periodicity, completeness, and spiritual and mundane concepts (Graf; Varley; Andrian; Hehn, 1925; Roscher). Its sacredness for the Iranians was enhanced from the Median period onward, partially due to contact with Mesopotamian culture, in which the heptad played a dominant role (Jensen; Hehn, 1907). "The seven counselors of the king" (Ezra 7.14) were the "royal judges" who administered the law and justice in the Persian Empire (Herodotus, 3.31), and seven field commanders led the Persian army despite its decimal organization (Herodotus, 7.82-83; see Shahbazi, 1994, pp. 88-89). With regard to the deities of the Persians, Herodotus states (1.131) that "the only gods whose worship has come down to them from ancient times" were seven: Zeus [Ahura Mazdâ, q.v.], the sun, the moon, the earth, fire, water, and the winds. He adds that later the Persians increased their pantheon. When a Mede usurped the Persian throne, seven Persians of the highest rank overthrew him (Herodotus, 3.70-83), encouraged by an omen of seven eagles (3.77), and henceforth the "Seven Great Houses" shared the rulership of the empire so that a report circulated that Darius had divided the empire among them (Plato, Epistle 3, with Shahbazi, 1983, pp. 243, 246). They could wear the royal headgear (Plutarch, Moralia 820; similarly Bal'ami, ed. Rowšan, I, p. 490 for the Sasanian period), and the sovereign was bound to marry into no family except theirs (Herodotus, 3.84). They governed large provinces and held the highest offices, forming a sort of advisory council for the king. They did not owe these privileges to the conspiracy against the Median usurper, as is often claimed. They had been leaders of the highest rank and it was precisely for that reason that they had gained access to the false king (Herodotus, 3.72, 77). The position of the Great King among his six magnates is analogous to that of Ahura Mazdâ among the six Aməša Spəntas. Zoroaster and his first disciples had similarly made up a heptad (Yt. 13.95-96); and the example of the idea of the world renovation by Astvat.ərəta and his six companions could not have escaped Darius and his helpers.

From Achaemenid times onwards, the seven magnates became an institution, a totality capable of achieving major tasks. Eunapius (frg. 3 in Blockley, II, pp. 32-33) remarks with amazement that "those who conspired with Darius against the Magi numbered seven, and, at a much later time, those who rebelled with Arsaces against the Macedonians were in the same number." For the Sasanian period, an example is provided by the report that Kavâd I fled to the Hephthalites with Zarmehr and five other supporters, making up a total of "haft mard" (Šâh-nâma, ed. Moscow, VIII, pp. 37-38). On many occasions, the number seven excludes the ruler, witness "the seven princes of Persia and Media who saw the king's face and sat first in the kingdom" (Esther 1.14), and Haftvâd (q.v.), who rose from humble origins to the rulership with the help of his seven sons. The feudal lords of the Parthian and Sasanian times were "Seven Magnates" (the houses Pahlavs; Surên, Kâren, Zig, Mehrân, Spahbad, Spandiâd, and Nahâbad), who claimed to have been established as lords in seven provinces by Kay Vištâsp (Tabari, I, p. 683; Christensen, Iran Sass., pp. 103-4). Reflecting on the conditions of Parthian and Sasanian times, the Š repeatedly speaks of haft gord "seven paladins," who accomplished valorous deeds, even when the heroes named number ten or eight, a remarkable discrepancy pointed out by Theodore Nöldeke (p. 52). Thus, Rostam fights Afrâsiâb (q.v.) with ten paladins (all named in Š, ed. Khaleghi, II, p. 104, vv. 12-14), but they are five times referred to as the haft gord (ibid., pp. 106, vv. 45, 47; 108, v. 65; 109, v. 83; 114, v. 137). Again, when Rostam goes to Turân to rescue Bê‘an, he takes with him eight paladins who are all named (Moscow ed., V, p. 60, vv. 883-89), but they are referred to as the haft gord (ibid., pp. 71, v. 1079, 73, v. 1123). Similarly, Ardašir I entered and captured the castle of Haftvâd with seven magnates (mehân; Š, ed. Moscow, VII, p. 150, v. 704); Bahrâm Gôr went hunting with seven companions (Šâh-nâma, ed. Moscow, VII, p. 348, v. 752); and Khosrow Parvêz met the chal-lenge of Bahrâm Chôbin with "a pair of seven heroes" (do haft gord; Š, ed. Moscow, IX, p. 118, v. 1842). Seven officials first swore allegiance to the Abbasid caliph al-Saffâh on his accession (Ya'qubi, Ta`rikh, pp. 417-18), and seven men did likewise to the caliph al-Motawakkel (Târikh-e gozida, ed. Navâ`i, p. 322), and both of these caliphs are known to have been respectful of Persian traditions. Seven disciples of Shaikh Abu Eshâq Kâzaruni made their abodes on Mount Lebanon and became known as the haft tanân "the seven (holy) persons" (Abu Eshâq Kâzaruni, pp. 421-22). Seven notables made up the first circle of the disciples of Hasan Sabbâh Qazvini Râzi, p. 119), and Zayd of Ahvâz and seven heretics (all named) established the QarmatÂi sect (ibid., pp. 310-11). The notion of the "seven notables" persists even in the Safavid period despite the dominant symbolism of the number twelve. When Soltân-'Ali, the head of the Safavid Order, was about to be overtaken by his enemies, he transferred his authority to his five-year- old brother Esmâ'il, and sent him "with seven Sufis" to Ardabil to establish his power base there (Mozµtar, ed., p. 57). Several years later, Shah Esmâ'il I (q.v.) went with seven Sufis (all named) from Arjovân to Târom (Mozµtar, ed., p. 88), gathered an army of seven thousand men (Hasan Rumlu, ed. Navâ`i, I, p. 61; tr. Seddon, p. 41) from seven tribes (Lockhart, p. 17; eight tribes in Hasan Rumlu) and carved out a kingdom for himself. Following the death of Shah Esmâ'il II, seven magnates in unison guarded the Safavid crown and kept it for the legitimate heir, and seven magnates killed Soltân-Mohammad Khodâ-banda, plunging the Safavid Empire into chaos (Falsafi, 1966, I, pp. 35, 136). In March 1736, Nâder Shah sent seven magnates (all specified by name) to the representatives of Persian towns and tribes assembled in the plain of Moghân in order to inquire about their decision on the election of a king (Falsafi, 1963, pp. 178-79).

The concept of the seven magnates has at times influenced religious beliefs: witness the Zoroastrian Savior noted above, the seven viziers of the Mazdakites (see below), the seven gods, and the First Man's seven appeals to the Father of greatness in Manicheism (Christensen, Iran Sass., pp. 185-86). Some Kurds maintain that the haft tan, seven divine forces personified as Imam 'Ali b. Abi Tâleb etc., dynamically manage world affairs in opposition to the haft vâna, seven evil forces personified as Afrâsiâb etc. (Keyvânpur, p. 14, n. 2, apud Mo'in, pp. 272-73). The early Isma'ilis believed in "seven higher letters" as the archetypes of "seven prophets," "seven imams," and seven cyclical eras (Madelung, p. 203). The ideology of the Isma'ilis, or the Sevener Shi'ites, is still dominated by various heptads. The Ahl-e Haqq (q.v.) believe in "seven successive incarnations of the godhead" (EIr I, p. 636).

Mesopotamian and Hellenistic Planetary speculations (Röck) further fostered the mystical power of the number seven for the Iranians. Thus, to prove his sovereign power, the first king of Media is said to have fortified his capital Ecbatana (q.v.) with seven walls, the battlements of which were painted white, black, scarlet, blue, orange, silver, and gold respectively (Herodotus, 1.98). The details are all borrowed from Mesopotamian ideologies and architecture, but they became the stock features of Iranian traditions, e.g., the seven palaces built by Kay Us (Kâvôs) on the Alborz (Christensen, 1931, pp. 74, 108-9), by Siâvoš at Kang Dez (Christensen, 1931, pp. 74, 82-85, 108-9), and by Bahrâm V (q.v.) were all seven-fold and painted in the seven colors. Iranian adaptation of the Babylonian system of attributing seven colors (or colored elements) to the seven planets may be inferred from the Syriac version of the Alexander Romance (based on a Pahlavi recension) of Pseudo-Callisthenes (tr. Budge, pp. 5-6): crystal represented the Sun [Mithra], adamant Mâh (the Moon), red Vahrâm, emerald "Nâbo the scribe, who is called in Persian Tir," a white stone Bel/Hormazd, and a sapphire stone "Balti (the Lady), who is called in Persian Anâhid." In due course and under further Babylonian influences, the association developed into a four-fold scheme of seven palaces painted in the color of the seven planets who were guardians of seven climes (q.v.) as well as of the seven days of the week and who, together with the twelve signs of the Zodiac, inexorably influenced human life and destiny (e.g., Š, ed. Khaleghi, I, pp. 6-7; see further HAFTA, HAFT KEŠVAR, and HAFT PEYKAR). The scheme was used by the Mazdakites, who maintained that under the Supreme Being "four powers direct the world with the help of seven viziers who act within a circle of twelve spiritual forces" (Yarshater, p. 1007). In later times this belief became a major preoccupation of Zoroastrian Iranians (Ringgern; Zaehner, pp. 158, 160-62, 254, 369, 374, 400, 410; Shahbazi, 1991, pp. 53-54) and gained even greater prominence in the Islamic period, when the number seven was given additional symbolism (Hartmann-Schmitz, pp. 12-120).

"Seven" often conveys the ideas of perfection and periodicity. The Š alone attests the following additional instances: sarâ-parda-ye haft-rang "seven colored tent/pavilion" (ed. Moscow, I, p. 109, v. 500; II, p. 212, v. 545); haft-±ašma gohar "a gem of seven precious stones," bequeathed by Ferêdun (q.v.) to Iraj and inherited by his descendants (ed. Moscow, IX, p. 220, v. 3530); seven treasures of Khosrow Parvêz (ibid., p. 236); seven days of ceremonies (thanksgiving: ed. Khaleghi, I, p. 61, v. 839; ed. Moscow, VII, p. 375, v. 1007; marriage festivities: ed. Khaleghi, I, p. 263, v. 1418; II, p. 304, v. 1519; ed. Moscow, VII, p. 429, v. 2194; mourning: ed. Khaleghi, III, pp. 381, v. 33; ed. Moscow, VII, p. 429, v. 2194; rest and celebration: ed. Khaleghi, I, p. 341, v. 156; II, pp. 44, v. 605, 257, v. 834, 316, v. 1709, 453, v. 472; III, pp. 40, v. 199, 298, v. 158; ed. Moscow, VII, p. 375, v. 1007; deliberation: ed. Khaleghi, I, p. 263, v. 1418; II, p. 304, v. 1519; ed. Moscow, VII, p. 429, v. 2194); seven years to achieve a goal (Gêv searching for Kay Khosrow in Turân: ed. Khaleghi, II, pp. 421, v. 40, 425, v. 94, 436, v. 261; the building of the palace of Madâ`en: ed. Moscow, IX, pp. 233, v. 3742; the weaving of the brocade tapestry of the Tâqdês throne: ed. Moscow, IX, pp. 225, v. 3603); Šâpur and Hormozd-Ardašir both were hidden from Ardašir for seven years (ed. Moscow, VII, pp. 159, v. 78, 169, v. 252); seven-year tax remission (ed. Moscow, VII, p. 398, v. 1651). The old concept of the "Seven-year drought" (Genesis, 41.26-30) also occurs (Šâh-nâma, ed. Moscow, VIII, p. 10, v. 74; for a historical case in the Islamic period see Ebn Fondoq, p. 268).

Topography also uses the heptad. Particularly persistent is the idea of the seven kešvars. The Parthian provinces (belâd al-Pahla) were traditionally reckoned as seven (Šêrôya son of Šahriâr, apud Yâqut, Boldân VI, p. 407). And the idea of the seven-fold regions of the world is well attested in Vis o Râmin (Gorgâni, pp. 93 v. 8, 110 v. 33), which is thought to be based on a Parthian core (Minorsky). The Sasanians symbolized the idea of the "seven kešvars by placing on their Nowruz table sacred twigs" on which the names of the seven regions were inscribed (Kesrawi [apud [Pseudo-]Jâhez], p. 362). According to a tradition reported by Ferdowsi (Š, ed. Moscow, IX, p. 223), the throne of Khosrow (Tâqdês) was ornamented with images of the seven regions as well as the seven planets and the twelve signs of the zodiac. Other related instances included: the seven cities making up the capital of the Sasanian Empire (Christensen, Iran Sass., pp. 383-89); seven mountains (haft kuh) of Mâzandarân, which Rostam had to cross during his haft khúân (q.v.; Š, ed. Khaleghi, II, pp. 40, v. 535, 41, v. 551); the village of Haftkand (or Haft dar "having seven gates") near Asadâbâd of Hamadân (Ebn Khordâdbeh, pp. 23, 201), the Haft Deh "Seven villages" area near Ozkand on the border of Iran and Turkestan (Estakhri, tr., p. 267), Haftân (between Isfahan and Izadkhúâst, Haftâd-pahlu in Lorestân (Schwarz, Iran, pp. 563, 941), the seven seas (Hodud al-'âlam, ed. Sotuda, p. 14). Solomon's burial place was said to have been "somewhere between the seven seas" (Tarjoma-ye tafsir-e Tabari I, p. 40). The archaeological sites of Haft Tepe, Haftavân Tepe, and Haft Chogâ are well known, and shrines attributed to the "Haft tan" of various origins are scattered throughout Persia, the most celebrated one being that in Shiraz. In mysticism, the Sufis distinguish seven valleys (haft wâdi) or seven cities (haft šahr) of love as stations leading to God, seven spiritual points in the body, and seven mystical degrees (Mo'in, I, pp. 274-75).

The heptad was also associated with various skills and social divisions, as in the seven systems (dastgâh) of Sasanian court music, and the scripts and seven styles of writing used by the Sasanian secretaries (Inostran-sev; Abu Ja'far Môbed Motawakkeli, quoted by Hamza Esfahâni, apud Bahâr, Sabk-šenâsi I, pp. 98-100). It is said that the Sasanian court officials were divided into seven classes (Mas'udi, Moruj II, p. 156) and that Khosrow Anôširavân divided the Caucasus Turkish tribes who joined him into seven ranks according to merit (Kâr-nâma Anôšaravân, tr. Grignaschi, p. 24 with n. 76 at p. 42). In 410 C.E., the Christians of Persia organized their own church hierarchy in seven major dioceses (Christensen, Iran Sass, pp. 271-72).

The heptad plays a significant role in the rites and customs of all Iranians. For the Zoroastrians, seven is the number of the creations and of the Amahraspands (Aməša Spəntas), who guard them. The keeping of the seven annual feasts (the six seasonal feasts of five Gahânbârs (q.v.) and the Nowruz) is a regular, solemn, and obligatory act of devotion (Boyce, Stronghold, pp. 17-18, 30-31). The seventh, Nowruz, has "many and varied rites containing the number seven" (Boyce, Stronghold, p. 50; see also pp. 168, 215, 230-31). The lork, consisting of seven dried fruits, is served on festive occasions (especially at weddings) as well as on the day of Farvardingân (Âdhargošasp, p. 228). The number seven also recurs in the Nirang ceremony, in the daily retying of the sacred girdle (kosti), in no-šwa (purification) ritual, in the septennial observance of removing the cleansed bones of the dead from the well of a dakhma, and in other funerary rites (Boyce, Stronghold, pp. 93, 104, 137, 195, 198, 209). On the Tirgân (day Tir of month Tir) Zoroastrians used to wear a thin armband called tir o bâd, made of seven silk treads woven with a thin wire, and removed it on the day of B@ad, ten days later (Âdhar-gošasp, p. 230). Persian Muslims perform the seven-fold rituals of tawâf (circumambulation) and the throwing of seven small stones at a place called Jamharat al-'aqaba, considered to symbolize Satan, during the pilgrimage to Mecca. Many drinks and food were (and are) associated with the number seven (Mo'in, I, pp. 295-98, 301-3; see also NOWRUZ). On joyous occasions it was customary to drink seven cups of wine (Š, ed. Moscow, VII, pp. 322, v. 300, 323, v. 319). Trays containing seven kinds of grains, seven kinds of sweets, seven kinds of fruit, and seven kinds of dried roasted seeds (âjil-e haft tokhm) adorn wedding banquets and Nowruz tables (still reflected in the Haft sin, q.v.). In Khorasan seven bundles of wood are burned at Châršanba-suri (q.v), and at Khûr in central Iran seven niches are provided in each dwelling to house the seven vessels of the sabza (green) grown for Nowruz (Honari, pp. 75, 118). Seven is an integral part of the Nowruz ceremonies and marriage rituals as well as funerary rites and the folklore associated with pregnancy, childbirth, childhood, and marriage (Masse‚, Croy-ances, pp. 29-118). Seven items (haft-qalam) are used in the ideal makeup (har haft or haft dar haft) of a bride (see Mo'in, I, pp. 299-300). Dishes presented in the most elaborate banquets are called haft-rang "[of] seven colors." An armband made of threads died in seven colors is given to the bride at some local weddings (cf. above for the Zoroastrian tir o bâd), while a newborn child was named on the seventh day.

Cosmology also used the heptad. Ursa Major is termed "Seven thrones" (Haft-owrang, q.v.), and elaborate ideas about the seven heavens and seven earths (Hartmann-Schmitz, pp. 17-42) became widely accepted. A tradition asserted that the world endures fourteen thousand years from the Creation to the Resurrection, "seven thousand spent in the act of creation and seven thousand in maintaining it" (haft hezâr sâl andar âfaridan o haft hezâr sâl andar dâštan; Tarjoma-ye tafsir-e Tabari, p. 968).

The number seven is frequently associated with books. The Koran, the Š, Abu Ya'qub Eshâq b. Ahmad Sagzi's Kašf al-mahjub, and a host of other influential books follow a seven-fold division. Various stories and treatises bear names combined with "seven" as a sign of completeness. They include Nezâmi Ganjavi's Haft pey-kar (also called Haft gonbad), Jâmi's Haft owrang (Safâ, Adabiyât IV, p. 359), Khúâja 'Abd-Allâh Ansâri's Haft hesâr (ibid., II, p. 912), 'Abd-Allâh Hâtefi's Haft manzar (ibid., IV, pp. 192, 442, 446), Zolâli Khúânsâri's Haft ganj, also called Haft sayyâra and Haft âsiâb (ibid., V, pp. 968-69), and Kâšef Širâzi's Haft peykar (ibid., V, p. 1763). The Haft laškar is a short prose version of the Š, from Gayomart to Bahman (ibid., V, p. 1519), while the Haft band of Hasan b. Mohammad K@aši (ibid., III, p. 748) is a Shi'ite classic.

The number seven is used also in proverbs (e.g., "the cat has seven lives") and metaphors, and as synonyms of many names and ideas. Some two hundred of these have been collected by Mohammad Mo'in (I, pp. 302-3).

 

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"History is the Light on the Path to Future"

 

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Encyclopaedia Iranica


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The British Institute of Persian Studies


"Persepolis Reconstructed"

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Persepolis3D


The British Museum


The Royal

Asiatic Society


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The Persian Gulf

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