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IRANIAN ART & ARCHAEOLOGY: ACHAEMENID DYNASTY Achaemenid Archaeology History & Method of Research By: Professor David Stronach Patterns of discovery While outside Iran the Bible, the Histories of Herodotus, and a host of other early sources served to preserve a knowledge of the conquests of Cyrus the Great and Darius the Great, in Iran itself all accurate memory of Achaemenid achievement was lost for many centuries. From 1474 onward, early travelers to Iran reported (and on occasion took leave to doubt) the popular belief that the still-intact fabric of Cyrus's tomb represented the "tomb of the mother of Solomon" (A. Gabriel, Die Erforscltung Persiens,Vienna, 1952, pp. 49f.). There matters largely stood until 1802, when G. F. Grotefend, working from the first accurate copies of the cuneiform inscriptions at Persepolis, was able to identify them as records left by the Achaemenid kings (cf. C. F. C. Hoeck, Veteris Mediae et Persiae monuments, Gottingen, 1818, p.56.). Similarly, as late as 1818 R. Ker Porter found the relief of Cyrus the Great at Bisotnn to depict a "king of Assyria and the Medes" before captive "representatives of the Ten Tribes" (Travels in Georgia, Persia, Armenia, Ancient Babylonia during the Years 1817, 1818, 1819, and 1820 1, London, 1821, pp. 507f.). H. C. Rawlinson was the first to reach the relief and to begin to copy its adjacent trilingual inscriptions something only accomplished with the aid of ropes-in 1835. But from this moment onward progress was rapid: Barely ten years were to pass before Rawlinson had completed his translation of most of the Old Persian version of Darius the Great' inscription (H. C. Rawlinson, "The Persian Cuneiform Inscription at Behistun, Decyphered and Translated...," JRAS 10, 1847-48, pp. xxvii-xxxix).
The
earliest photographic record of the major sites in Fars is owed to F. Stolze and
F. C. Andreas (Persepolis, 2 vols., Berlin, 1882), whose journeys in the region
began in 1874. Ten years later M. Dieulafoy, the first in a long line of French
excavators, initiated the first major excavations at Susa. In three successive
seasons he explored the Achaemenid city wall and uncovered much of the Apadana (q.v.). This last work was also rewarded by the discovery of the famous
glazed-brick frieze of the "royal archers" of Cyrus the Great (M. Dieulafoy,
L'Acropole de Suse d'apres les fouilles executees en 1884-86, Paris, 1893). The
last 19th-century traveler of interest was Lord Curzon, whose still-standard
work, Persia and the Persian Question, includes a meticulous description of the
early sites he visited (cf. G. N. Curzon, Persia and the Persian Question II,
London, 1982, pp. 115-96). The arguments he marshaled to support the
now-accepted identity of both the site of Pasargadae (q.v.) and its principal
monument, the tomb of Cyrus the Great, still command respect, as do his summaries of prior
scholarship. E.
Herzfeld made his first visit to Pasargadae in 1905 and published his
dissertation on the site three years later (E. Herzfeld, "Pasargadae. Untersuchungen
zur persischen Archaologie,"
Klio 8, 1908, pp. I-68). In his subsequent excavations at Cyrus the Great capital,
Herzfeld opened trenches at three of the main structures: Gate R, Palace S, and
Palace P; in so doing he provided a new starting point for the study of
monumental construction in the Achaemenid period (E. Herzfeld, "Bericht
caber die Ausgrabungen von Pasargadae, 1928," AMI 1, 1929-30, pp.4-16). In
1931 Herzfeld was called upon to direct the Oriental Institute of Chicago's
excavations at Persepolis; over the next four years these brought to light the
reliefs on the north side of the Apadana (Āpādānā), the gold and silver foundation plaques
from the same great audience hall, and the great body of Elamite cuneiform
tablets now known as the Persepolis fortification texts. E. Schmidt, Herzfeld's
successor at Persepolis from 1935 to 1939, conducted painstaking excavations in
the Treasury and revealed the impressive audience reliefs that had formerly
formed part of the relief facade of the Apadana, a further collection of clay
tablets (the great bulk of which were again written in Elamite), and a wealth of
other objects, including bronzes, glassware, and stone tableware. Schmidt also
unearthed the floor plan of the severely burnt throne hall, exposed the entire
height of the tower-like Ka'baye Zardosht at Naqš-a Rostam, and secured,
through his pioneering use of aerial photography, a memorable record of the
monuments of the Persepolis region as seen from the air. When
the French Archeological Mission began its work under J. de Morgan in 1897, new
attention was at once given to Susa's earlier levels. A major find proved,
nevertheless, to be that of a rich Achaemenid coffin burial containing jewelry
of great quality (J. de Morgan, "Decouverte dune sepulture achemenide a
Suse," Memoires de la delegation en Perse, 1905, pp. 29-58). In the
subsequent years of R. de Mecquenem's directorship isolated Achaemenid finds
continued to be made, most notably in the vicinity of the "Donjon" at
the southern limit of the Ville Royale. Finally-with reference to all but the
most recent work at Susa-R. Ghirshman's long stewardship was most closely
connected with his deep excavation on the Ville Royale, which revealed a
succession of Elamite strata stretching through most of the 2nd millennium BCE His work on the western flank of the Ville des Artisans also revealed one part
of an extramural satellite township, dated possibly between 625 and 250 BCE (cf. D. Stronach, "Achaemenid Village I at Susa and the Persian Migration
to Fars," Iraq 26, 1974, pp.244-45).
More
recently, the German Archeological Institute, founded in 1960, was occupied for
several years with the study and documentation of Darius the Great' relief at
Bisotun (cf. H. Luschey, "Studien zu dem Darius-Relief von Bisitun,"
AMI, N.S. 1, 1968, pp. 63-94), not to mention the excavation of a small
Achaemenid settlement at Takt-i Solayman. The British Institute of Persian
Studies, founded one year later, also turned to a major site, Pasargadae. In a
three-year program of work that in many ways represented a continuation of the
earlier campaigns of Herzfeld and `A. Sami (Pasargadae, the Oldest Imperial
Capital of Iran, Shiraz, 1956), the Institute sought to reexamine the history of
each of the main monuments, as well as to carry out extensive excavations on the
elevated Tall-a Takt and in the partly preserved gardens of the palace area.
This last work, despite the limited depth of deposit, led to the discovery of a
hoard of fine jewelry and other objects, which may have been buried
close to the middle years of the 4th century BCE Two
of the main concerns of J. Perrot, who was appointed to lead the French
Archeological Mission in 1968, were to establish a secure stratigraphic sequence
at Susa and to provide a more complete picture of the Susian Apaddna. The work
of the 1970s also saw the recovery of two marble foundation tablets from the
adjacent residential quarters of Darius the Great' palace; the identification and
excavation of the "Chaour Palace," (once the paradayadâm or
"pleasant retreat") of Artaxerxes II; and perhaps most gratifying, the
discovery of a larger-than-life-size statue of Cyrus the Great that had been
transported from Egypt to flank one of the doorways of the great gateway leading
to the Apaddna.
In
the past few years Achaemenid levels have been recognized at such widely
distributed sites as Choga Mish (Čoga
Miš), Baba Jan Tepe, Hasanln, Yanek Tepe, Turang Tepe, Dahan-i Ghulaman (Dahan-e
Goldman), and Tepe Yahya, while with reference to other recent research, the
surveys of L. Vanden Berghe in southwestern Iran have revealed the existence of
the Buzpar tomb ("Le tombeau achéménide de
Buzpar," Vorderasiatische Archdologie, Festschrift
Problems in chronology Only twenty years ago the uncertain date of many of the
uninscribed stone monuments of southern Iran allowed such prominent sites as
Masjed-a Solayman and the Tall-a Takt at Pasargadae to be assigned respectively
to the early 7th and the early 6th century BCE (R. Ghirshman, Persia. From the
Origins to Alexander the Great, London, 1964, pp. 12931). By extension, the last
stages of the Persian migration to Fars were assumed to have taken a rather
unlikely course from the foothills of Kuzestan to the plain of Pasargadae; and
on the basis of the specific character of the two sites just mentioned, the
Persians were further presumed to have demonstrated a familiarity with large
stone construction well before the accession of Cyrus the Great (559-530 BCE). This
reading of the archeological evidence was called into question when it became
apparent that neither site could be said to predate the reign of Cyrus the Great
(D.
Stronach, Iraq 36, 1974, pp. 246f.). It has also become apparent that there is
no compelling reason to suppose that Kudur Nahunte (693-692 BCE) was the last
Elamite king to exercise control over Anshan (cf. G. G. Cameron, History of
Early Iran, Chicago, 1936, pp.16465 and 179-80). From hints found in the surviving
titles and protocols of the period it is likely that Elamite dominion in Anshan
only came to an end close to the time of Ashurbanipal's conquest of Susa in 646 BCE
(see F. W. Konig, Die elamischen Konigsinschriften, Archiv fur
Orientforschung, Supplement 16, 1965, p. 172). In short, the Persians did not
necessarily arrive in Fars as a conquering force, at once capable of driving the
Elamites to the west. Instead, these newcomers from the north may have entered
their eventual homeland in a peaceful fashion, perhaps over a surprisingly long
time, and, following a period of increasing acquaintance with the literate world
of Elam, and took steps to acquire direct political control of Fars only in the
wake of the severe dislocations occasioned by Ashurbanipal's assault on Susa. A
richly furnished tomb of the late 7th or early 6th century BCE from the
vicinity of Behbahan may well lend a measure of support to certain of the
developments just described. First, this newly discovered tomb, which appears to
have been that of a certain Kidin Hutrun, an Elamite of rank (F. Vallat, "Kidin Hutrun et l'époque neo-elamite
Material culture of Achaemenid mainland-Iran The Persian delight in gold and silver tableware, or
in many other objects of personal finery, ranging from parade weapons to elegant
jewelry and cosmetic articles (see Art in Iran iii), only rarely extended to
earthenware vessels. In contrast to the Assyrians, who seem to have had a
particular regard for their own palace wares, the Persians did little to export
or reproduce their ceramics elsewhere. One of the very few forms that appears to
have had a wide distribution throughout much of the empire in the 5th and 4th
centuries BCE is a small drinking bowl with a rounded body and evened rim
directly imitating those of along-lived metal type. There is no uniform ceramic
specific to the Achaemenid dynasty; the archeological record in Iran has only
revealed "pottery of the Achaemenid period," from some nine different
ceramic zones (Figure 1). Each of these zones has a separate history of change
or interaction that persisted, in surprisingly similar terms, down to the end of
the Parthian period (cf. E. Haerinck, La céramique de la période parthe
In
zone I, a group of fine monochrome bowls from Chogha Mish (Čogā-Mīš) in southwestern Iran is
possibly representative of the often ill-defined border between the Iron III
period (800-550 BCE) and the Iron IV period, a division that conveniently
subsumes both the Achaemenid period (550-330 BCE) and the brief Seleucid or
post-Achaemenid period (330-250 BCE). In zone II, in western Iran, there are
indications from Jameh Shuran (Jāma-Šūrān) in the Mahi Dasht (Māhī Dašt), not to
mention Ziwiye (Zī-wīya) in upland Kurdistan, that the plain buff wares of the
late Iron III period gave way to painted "triangle wares," also well
known from sites in southern and eastern Azerbaijan. Furthermore, the important
and still not published pottery sequence from Jameh Shuran shows (L. Levine,
personal communication) that, at least in the Mahi Dasht, the local triangle
wares gave way to painted buff wares of the type found in quantity at
Pasargadae, where they were seemingly most at home in late or even
post-Achaemenid loci. Without
a full "grammar" of the evolving pottery styles of the Iron IV period,
any attempt to define Achaemenid settlement patterns throughout Iran is unlikely
to be definitive, yet W. Sumner's recent survey in central Fars has shown that a
beginning can be made: The independent testimony of the Persepolis fortification
texts (which refer in all to some 400 geographic names) is taken to support
certain strictly archeological indications for the presence of between 100 and
150 Achaemenid settlements within the bounds of the Persepolis plain alone (W.
Sumner, "Achaemenid Settlement in the Persepolis Plain," AJA,
forthcoming). The "Spring Cemetery" near Persepolis is presumably
representative of the many cemeteries that must have complemented such local
villages. In this late 4thcentury (or later) cemetery the dead lay in extended
positions, in slipper coffins. The majority of the grave goods consist of simple
pottery vessels (E. Schmidt, Persepolis II, 1957, pl. 89). Richer graves, such
as may have been associated with the country estates referred to in the
fortification tablets, have not been encountered to date. Notwithstanding the
recent excavation of Achaemenid levels at more than a dozen different sites in
Iran, the great mass of objects from controlled contexts still comes from three
sites: Pasargadae, Susa, and Persepolis. Pasargadae and Susa are obvious points
of reference for any study of jewelry. Fine stone vessels are well represented
at Persepolis, though the looting of the site before it was burned in 330 BCE must clearly account for the absence of any examples of Achaemenid gold and
silver plate. Persepolis has also yielded handsome horse-bits and, among various
weapons, thousands of barbless trilobate bronze arrowheads that seem from
examples recovered from Cyprus, Palestine, and the early 5th-century
battlegrounds of Greece to have represented a standard issue within the
Achaemenid army. For seals and seal impressions it is again appropriate to look
to the rich material from Persepolis, particularly since the many sealings from
the fortification tablets promise to reveal much about the beginnings of
Achaemenid iconography (cf. R. L. Zettler, "On the Chronological Range of
Neo-Babylonian and Achaemenid Seals," JNES 3, 1979, pp. 257f.). In addition,
certain recently discovered seal impressions from Persepolis (A. Tadjvidi, Iran
13, 1970, p. 187) no longer depict the once-canonical scene of a "royal
hero" dominating animals and therefore call attention to changes in seal
design that took place during the Achaemenid period. Evidence
for those two special Persian luxury items, cut glass and gold plate, is rare
indeed. Fine glass was recovered from Persepolis (Schmidt, Persepolis II,
pl.67), but sumptuous gold vessels of the kind that accompanied the Persian king
both at home and on the march are today known only from a number of examples
reportedly found during clandestine ex cavations at Hamadan, and not all of
these "court style" vessels have been accepted as genuine. (Cf. O. W.
Muscarella, "Excavated and Unexcavated Achaemenian Art," D.
Schmandt-Besserat, ed., Ancient Persia: The Art of an Empire, Undena, 1980, pp.
23 f.) Finally, no gold darks or silver sigloi like those minted in Anatolia in
order to meet the needs, in part, of an existing coin economy, have been found
so far within the limits of Iran. Unless new evidence is forthcoming, the home
economy can be seen to have been based, down to the time of Alexander, on a
currency consisting of cut and weighed silver, a type of currency that was
present in Iran at least from Median times (cf. A. D. H. Bivar, "A Hoard of
Ingot-Currency of the Median Period from Nush-i Jan, near Malayir," Iran 9,
1971, pp.97-111).
Material traces of Achaemenid rule from the Greater-Iran and beyond Iran It has never been easy to assess the
influence that the Achaemenid empire came to exert on the indigenous cultures
within its wide bounds. Wherever detailed regional information is available, the
precise forms of Persian authority-and Persian investment-can be seen to have
varied not only from one region to the next, but often from one district to
another.
No
exhaustive treatment of the archeology of Mesopotamia in the Persian period has
yet been attempted. Such a study could profitably combine the disparate evidence
recovered from such major centers as Babylon, Kis, Ur, and Nippur with the
results of several relatively recent field surveys and "rescue
excavations." In
north Syria the 5th-4th century BCE inhumation cemetery at Deve Huyuk can be
associated with the presence of a permanent Persian garrison to the west of one
of the more important crossings on the upper Euphrates. This cemetery, Deve
Huyuk II (P. R. S. Moorey, "Cemeteries of the First Millennium BCE at
Deve Huyuk," in British Archaeological Reports 87, 1980, pp. 7f.),
provides evidence for such characteristic Achaemenid objects as zoomorphic rhyta
(here in pottery, not metal); bronze phialai, or drinking bowls; alabastra with
small lug handles; and, among iron weapons, fanged javelin heads, socketed
spearheads, and examples of the Persian short sword-the akinakes of Herodotus's
account (7.54). Bronze horse bits, bracelets, and fibulae are also complemented
by relatively simple silver earrings and by cylinder seals which here appear,
probably in deference to local taste, in glass. In
Palestine the free passage of goods from one part of the country to another
seems to have offset the region's very varied mixture of peoples and its diverse
forms of government so as to create a distinctive, more or less uniform material
culture. As has been recently demonstrated in E. Stern's survey (Material
Culture of the Land of the Bible in the Persian Period, Jerusalem, 1982, p.229),
Persian authority operated effectively wherever its sole prerogative was to be
expected: in the construction of palaces and fortresses, in the provision of
support services for the army, and in its seemingly exclusive right to issue all
the more valuable forms of coinage. The presence of a Persian elite also finds a
very probable reflection in the recovery of typical Achaemenid jewelry from such
sites as Gezer and Ashdod (ibid., figs. 253-54); still more remarkably, elements
of a bronze throne were found in clandestine excavations at Samaria, the capital
of the province (cf. M. Tadmor, "Fragments of an Achaemenid Throne from
Samaria," Israel Exploration Journal 24, 1974, pp. 37f.). The
part of the empire that left the largest imprint on its Persian occupants was
almost certainly Anatolia. In the Achaemenid period, it is not always easy to
distinguish a Persian of rank from an Anatolian dignitary with a taste for the
trappings of Achaemenid protocol. While the difficulties are manifest, and the
Achaemenids are seldom very visible in the archeological record save for their
royal (and subsequently satrapal) coinage or their seals and sealings, J. Cook
has offered a persuasive picture of the mechanics of local Persian government
and of the role of the Iranian landed gentry who so often sought a landscape,
and a way of life, that contained echoes of their homeland (J. M. Cook, The
Persian Empire, 1983, p. 180). Also, certain finds from western Anatolia, such
as the gold jewelry discovered by the first archeological expedition to Sardis
(C. D. Curtis, Sardis XIII, Leiden, 1925, passim), the silver incense burners
and other objects of precious metal of Achaemenid design recovered from the
tombs at Ikiztepe in eastern Lydia (B. Tezcan, VIII Turk Tarih Kongresi, 1979,
pp.391-97), and the wall paintings found on the interior walls of the stone tomb
at Karaburun in Lycia (M. J. Mellink, "Excavations at Karatag-Semayuk and
Elmah, Lycia, 1971," AJA 7480, 1970-1976, pp.265-69) could each be taken as
partial reflections of high dynastic fashions set by the distant court at Susa.
Nevertheless, as the finds from these and other sites demonstrate, the idioms of
Greek art made an increasingly strong appeal from the early 5th century onward.
Greek, Persian, and Anatolian influences are to be found in varying measure in
the "Greco-Persian" stamp seals of western Anatolia (cf. J. Boardman,
"Pyramidal Stamp Seals in the Persian Empire," Iran 8, 1970, pp.
19f.), while each of these influences, combined with strong hints of a north
Syrian or Apamean (Aramean) style, is to be seen in the distinctive funerary
stelae of local officials from the region of Daskyleion, close to the Troad.
(See most recently R. Altheim-Stiehl, D. Metzler, and E. Schwertheim, "Eine
neue Grako-Persische Grabstele aus Sultaniye Koy and ihre Bedeutung fur die
Geschichte and Topographie von Daskyleion," Epigraphica Anatolica 1, 1983,
pp. 1 f.). In
contrast to each of the regions just described (as well as Egypt, another seat
of ancient and foreign culture), the satrapies to the east of Iran were chiefly
inhabited by Iranian peoples. Yet for all the linguistic, religious, and
cultural ties that presumably linked the east Iranians to the Medes and
Persians, there are strong archeological indications that they possessed a
vigorous material culture of their own. Most of the pottery of the northeastern
provinces, for example, is utterly different from any in contemporary Iran. It
is distinguished, as E. E. Kuz'mina ("The 'Bactrian Mirage' and the
Archaeological Reality. On the Problems of the Formation of North Bactrian
Culture," East and West 16,1976, pp. 111-31) and A. Cattenat and J. C.
Gardin ("Diffusion comparée de
quelques genres de poterie caractéristique de l'époque achéménide sur le
Plateau Iranien et en Asie Centrale," in J.
Deshayes, ed., Le Plateau Iranien et l'Asie
Centrale des origines a la conquête Islamique, Paris, 1977, pp.225-48) have lately shown, by wheel-made
cylindrical-conical jars such as begin to appear in the region around 600 BCE Pottery with clear western links is not in evidence before the late 4th and 3rd
centuries BCE, when it is tempting to associate its appearance with the new
political conditions imposed by Alexander. Direct
echoes of Persian rule, such as the fragment of an Achaemenid Elamite tablet
found at Kandahar (S. W. Helms, "Excavations at `The City and the Famous
Fortress of Kandahar, the Foremost Place in All of Asia'," Afghan Studies
3/4, 1982, p. 13) are, for the present, all too rare on Afghan sites. But if the
relevance of both the 4th-century funerary furnishings from tomb V at Pazyryk
(S. I. Rudenko, Frozen Tombs of Siberia. The Pazyryk Burials of Iron Age
Horsemen, Berkeley and Los Angeles, 1970) and the late Achaemenid and
post-Achaemenid objects for the so-called Oxus treasure (see O. M. Dalton, The
Treasure of the Oxus with other Examples of Early Oriental Metal-Work, 3rd ed.,
R. D. Barnett, ed., London, 1964) should be admitted, it can not be questioned
that Achaemenid motifs and Achaemenid tastes eventually traveled a long road
eastward. Much
work still remains to document the material remains of Median and Persian rule,
both inside and outside the boundaries of Iran. In regions beyond Iran in
particular, the Achaemenid period is often one of the least archeologically
explored and understood. This condition appears to derive in part from the
nature of Persian dominion: Persian rulers preferred on the whole to adopt and
to modify those institutions they encountered rather than to impose a single
imperial pattern on their possessions. Nevertheless, detailed research into the
once far-flung Persian presence constitutes a prime historical and cultural
requirement. Only new archeological discoveries can serve to supplement those
literary records that at present most largely illuminate the internal workings
of the empire (cf. J. M. Cook, The Persian Empire, pp.167-182), and only a
thorough knowledge of the sources of the Achaemenid court style, and of the
diffusion of that style through some thirty satrapies, can be used to account
for the subsequent appearance of time-honored Near Eastern themes deep in Europe
and well across the breadth of Asia.
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